In this post we will be looking at the next batch of presets available for TapTone Vintage Guitar. This collection of sounds showcases new amplifiers and cabinets available in Version 1.2 including one of the most famous non-master volume amplifiers and a controversial update to a vintage combo.
This is rock and roll in one of its most purest forms. The amplifier: a late 1968-69 100W head. The cabinet: a 4×12 bottom loaded with blackbacks circa 1978. The sound: classic rock, hard rock, proto metal, early punk rock. Together this amplifier and cabinet combination became known as the half-stack, providing fuel for thousands of records featuring the electric guitar. Make sure to turn it up loud.
Our second iteration of the famous Woman Tone. Now with a more accurate amplifier, though not yet exact. Clapton was known to plug into Channel II, yielding a less aggressive, more bassy tone. Though this amplifier dates to later periods of Clapton’s career with Cream, Channel II would remain unchanged through the years. Toggle the Direct switch to hear the classic grind of Strange Brew, and keep your pickup selection on the bridge to unlock the overdriven sounds of Sunshine.
Our third iteration of Hendrix at Woodstock. As soon as you strike the first three notes of the Anthem, we think you’ll find that it can’t get any closer unless you happen to have the exact guitar that Hendrix used during performance. On one hand the cabinet dates from a period more than ten years later, but the speakers in question did not change significantly during that passage of time. For the moment, this is one of rock’s all time greatest tones now available anywhere, anytime. Enjoy!
An excellent example of a pure amplifier with minimal effects. The ability to dial the Vibrato (which is really Tremolo) back to create a subtle shift in amplitude gives even the most simple passages an interesting sonic quality. As with any clean amplifier, pickup choice really shines through, giving more bite for lead work in the bridge position or getting a classic blues tone in the neck position.
Keeping the Treble control near its maximum value and dialing up some Reverb definitely brings to life the surf rock sound that became popular in the early 1960’s. It’s an unmistakable sound once you hear the reverb coils shake with intensity from a single string run or a chord bent out of tune from the Tremolo bar (which is really a Vibrato bar). Throw a fuzz or crank the gain in front of the Reverb for even more strange sounds from a bygone era.