The Blonde Sound™
Hot on the heels of Nevermind, we happened to be experimenting with the VG204D Amplifier, our model of a Tremolux circuit that shares DNA with…
What’s That Smell? Nevermind Tone
Nirvana’s Nevermind guitar tone: the Fender Bassman, the DS-1, the Big Muff, and the Small Clone chorus, rebuilt by ear in AmpStamp.
Fun House Tone: Garbage Bin Overdrive
The Stooges’ Fun House guitar tone: the amp, the wah, the fuzz, and plate reverb, built by ear in AmpStamp.
Void Your Warranty: Circuit Bending on an iPhone with SynthStamp
Circuit bending on an iPhone: SynthStamp’s B500 models the Casio SK-1, a lo-fi ’80s sampler with patchable analog, digital, and clock sections for feedback and…
Wheels of Fire Tone: Live, Loud, and Fully Blown
Cream’s Wheels of Fire guitar tone: a cranked Marshall Plexi, an off-mic’d 4×12, and a wah, built by ear in AmpStamp.
Celebrating 10 Years of AmpStamp
AmpStamp turns 10: one of the first iOS amp sims with convolution-based cabinet modeling—real impulse responses since 2016, years before rivals followed.
Announcing SynthStamp™
SynthStamp: vintage synths for iPhone, iPad, and Mac—the first ARP 2600 emulation on mobile and a circuit-bendable Casio SK-1, with patch cabling.
Ride the Lightning Tone: The Best Sounding Marshall in Denmark
Metallica’s Ride the Lightning guitar tone: a 2203-style Marshall, a Tube Screamer, and parametric EQ for that metallic chunk, built by ear in AmpStamp.
Hendrix Woodstock Tone
Jimi Hendrix’s Woodstock guitar tone: a Marshall Plexi, the Fuzz Face, the UniVibe, and a wah—the Star-Spangled Banner rig, built by ear in AmpStamp.
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