Welcome to AmpStamp 1.5! From proto punk and college rock, to rockabilly and psychedelia, we think you’re going to find endless inspiration from playing and tinkering. Here are some new and revised presets, with better accuracy, and more control over your tone.
Proto punks. The godfathers of punk. The Stooges. We stumbled upon James Williamson’s lacerating tone from Raw Power, and we think you’ll agree, this tone cuts like a knife. Harnessing the unique sound of mixing elements of Vox and Marshall gear, Williamson found the perfect match to Iggy’s intense delivery. The only requirement is that you play it loud.
By the time R.E.M. recorded their album Monster, they were looking for a new sound. Something harder, rockier, and faster paced. Guitarist Peter Buck found that in a small 2×12 combo known for its grit and particular voicing for guitar. Armed with only that amplifier, Buck would record instant classics, making use of the raw tone of the amplifier at full volume, as well as the novel vibrato channel.
Take a second to play this slapback tape delay and relive some of the finest moments recorded at Sun Studio. From Jerry Lee Lewis and Elvis, to Johnny Cash, there’s a reason why musicians were clamoring for this new sound. Take what you can from it, and reinvent rock n’ roll once again.
While recording their album Disraeli Gears, Cream, and specifically Eric Clapton, would truly push what a guitar could do in pop music. Taking cues from seasoned blues players, Clapton effortlessly weaved inspired lead lines into simple song structures that served as platforms for improvisation during their live shows. But what was even more interesting was that sound he was putting to tape. A guitar had never quite sounded like that, and hasn’t since, until now.
Locked away from the rest of the world, living in hiding, living in excess. This was life for one of the most popular rock bands in history. Though the days may have blended into nights, interrupted by breakfast boats on the Italian Riviera, music happened. It needed to happen. It had to happen. And with a simple amplifier, a modest 2×12 combo, good times were rolling. Updated with speaker Color controls, for a darker, rounder tone, and Early Reflections to capture the sound of the studio.
Updated with a different amplifier and cabinet, and an improved, more accurate PH100 Phaser algorithm. As soon as you strike the first three notes of the Anthem, we think you’ll find that it can’t get any closer unless you happen to have the exact guitar that Hendrix used during performance. For the moment, this is one of rock’s all time greatest tones now available anywhere, anytime. Enjoy!